In Virgo - In Virgo |self-released, 2015| 5/5 industrial rock, alt-rock, metalcore
1. Set Me Free, 2. The Light At the End, 3. The Chosen, 4. Lost All
Of You, 5. The Poison, 6. Breaking Apart, 7. Public Enemy, 8. Bully The
Few, 9. Revolution, 10. Colors, 11. Exposed, 12. Part Of Me
It's quite common in the music industry to find a guitar-driven album
holding between one and four hit songs. In Virgo's release however may
be a breakthrough in that category, since almost every of the 12 tracks
present here has the potential to be a hit.
Chris Egert (guitar/synth/programming) has already proved his
songwriting skills through making catchy music for his past project
Replica.
He then joined an electro/rock band September Mourning a few years
later. The singer, Emily Lazar worked together with Chris, and also a
little with
Chris Vrenna (
Nine Inch Nails) and Dave "Rave" Ogilvie (Skinny Puppy), leading to the
Melancholia
album released in Europe in 2012. While we’re talking collaborations,
In Virgo's tunes are enriched with clear and metal-orientated voice of
Chris Hodges, who definitely sounds fitting.
"Set Me Free" opens the tracklist with a gentle piano arrangement which
is then joined by a dynamic fusion of edgy guitars, drums and metalcore
vocals. There are guitar rock solos, the bass sounds thick, and every
tune fits into the place perfectly. The lyrics here, and in other
compositions on the album, refer to breaking from restrictions - and
that can mean a break-up, a suicide attempt, opposing bullying, but also
awakening to something new or an emotional detox.
"The Light At the End" brings a buzz of dynamics thanks to a tight mix
of the guitar-bass-drums combo and rebellious, slightly raspy vocals.
The track sounds catchy from the beginning to the very end and the
choruses are going to etch themselves in your memory pretty easily. Such
attributes make it a smashing hit to be performed live in front of a
bigger audience.
The pace slows with the arrival of "The Chosen". The song's mood feels a
bit darker than in the first two compositions. A bit more light shines
through the choruses, however. As the song’s lyrics develop, a line of
standing out vocals casts a feel of courage as indeed, anybody feeling
as a 'chosen one' would be expected to express. Amazingly well written
arrangements make this track a must-listen. Fans of
Filter will dig "The Chosen" right away.
"Lost All Of You" begins with the sound of an unplugged guitar and
catchy choirs, as if to avoid a repetition of intro techniques. It then
develops into an alt-rock composition by bringing broad, uplifting
choruses. My guess is that it was written to flow with sounds of many
new and liked bands of the aforementioned genre. Yet there's no
copycatting - it’s just In Virgo's original song writing enriched with
the by now ‘usual’ edgy guitars. A lively and gentle guitar tune
finishes the song, making its end a smooth match with the song's
beginning, inviting to a looped listening.
A different vibe is utilized for "The Poison", which is kept in the vein
of drum'n'bass thanks to phat and bubbly synths. There are, however,
softer vocals used on the top of all the electronica. These can speak
for Hodges' talent - his voice sounds at times rebelling, then velvety -
and always adjusted to any song's mood. Since "The Poison" is one of
tracks bringing slower tempo to the album, you can catch a breath before
the high energy returns.
"Breaking Apart" will definitely please Filter’s fans, but they will not
be the only ones enjoying it. Aside from bringing a familiar groove and
melody, the song is vibrant to the point of spawning images of a
fast-pace music video accompanying the track in your head. It has
moments of drama, followed by the release of all the gathered-up
tension. The drums and bass collaborate nicely here, keeping the
dynamics steady. The vocals also comfortably appear as planned along all
the instrumental parts, making the whole composition of "Breaking
Apart" a prime example of great songwriting. Listeners who prefer
heavier tunes get an exciting wall of sound, spiced up with aggressive
vocals near the end of the song. Big applause to Chris Egert for the
spreading of a harmonious mix of both electronic and guitar driven
arrangements.
Next, we have "Public Enemy" with its vibrating, graded guitar riffs and
a rebellious, marching vibe. The song moves from aggressive to melodic
(and back again), especially in choruses. Through this track, In Virgo
proves that a balanced composition needs to keep vocals at bay when
there's a good moment to bring up instrumental parts only (and vice
versa). Yet another great live show song.
As the title implies, "Bully The Few" touches on the very hot and
relevant topic of bullying and speaks about breaking away from your
enemies to honor your personal human freedom. It brings an equal portion
of synths and guitars along with aggressive vocals and powerful
dynamics. Yet again, In Virgo gives you a lesson in how to end a track
properly.
"Revolution" comes with a slower tempo than its predecessors, but
remains energetic thanks to the edgy guitar riffs. Its overall tune is
softer, gives a hopeful feel, and could swap the vocals for female ones.
Yet another track on the album good enough to be supported by a music
video, as it brings a lively set of images to your mind while listening.
While the synths put more 'air' and build up a space within the tune,
the guitars, bass, and drums keep the entire composition properly
grounded.
"Colors", on the other hand, is opened very lightly, with electronic
samples. An effusion of guitar riffs follow next bringing a completely
different 'color' to the palette of available sounds, including both
brighter and darker shades. The riffs here sound dirty at times, while
the drums are exposed. The song's mood is positive and uplifting though,
with wide-open straightforward and repeating vocal parts make it a
highly memorable hit song.
The theme of "Exposed" refers to dropping a mask without fear and living
one's life in peace with the authentic self. The composition begins
with a delicate tone which is then surrounded by a groovy, interlaced
line built upon bass, drums, and guitars. Again, Chris Hodges presents
his full voice range and you should be able to tell by now that he's a
talented and definitely well trained singer. In addition, tiny choral
elements in the background bring an “easy listening” feel to the track.
The album finishes on the peaceful note with yet another mild song.
"Part of Me" offers a blend of modern rock sounds and therefore is a
perfect track to be aired on the radio. The vocals and guitars are
strongly accented but not pushy at all. They both flow smoothly,
supported by matching drums and bass lines. "Part of Me" also calls for
providing a suitable video for promotional purposes. Finally, if you
listen closely to the lyrics, you may find traces of romantic poetry
expressed through lines such as "
I traded a photograph for sand and blue sky / It fades when the light falls short of your eyes when you cry".
Every composition on this album recalls a full circle - an entirely
complete piece of art with extremely well written arrangements and
compositions, professionally mixed, mastered, and produced. The
tracklist order is set to gradually shift the listeners’ mood and
attention for the ultimate listening experience. Fans of industrial
rock, alt-rock, metalcore and those in love with
Dope, Filter, the 90s Nine Inch Nails or even
Celldweller
will not be disappointed - but by no means should the audience for this
album be limited to those groups. All the tracks could easily find
their way to TV, movies or ads through licensing. They are equally
promising for powerful live performances or intimate private listening
sessions. The LA-based duo distribute their debut album in tune with a
revolutionary new business model - you can either download music files
for free or buy them. This should guarantee the
In Virgo album reaches as many listeners as possible. Make sure you give it a try as soon as you finish reading this.
(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, April 9th, 2015. Proofreading: Mike 'Vesper' Dziewoński)
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Reviewed by
Fabryka Music Magazine
