Carved In Ashes - Lupus Homini (song review) |self-released, The Drowned Silhuette, 2012| 4/5
Carved In Ashes is a Finnish band from Helsinki formed in 2009. Their
musical style can be described as progressive rock or art-rock. So far
they've released two EPs - Neversary (2010) and Drowned Silhouette (2012).
The phrase, homo homini lupus comes from the Latin, meaning 'the
worst enemy of a human can be another human'. The above is proven when
considering political, economic and religious wars observed across the
ages, but is also noticeable yet no less harmful on a daily basis. These
issues commonly come out of jealousy, greed and competition amongst
both individuals and groups of people.
The song title, "Lupus Homini" is a neologism build upon a reference to the above phrase. The track was released on Drowned Silhouette
EP and lasts over 8 minutes, an average Progressive track length. The
composition not only carries moods originating from Progressive music
but also from Gothic and Metal. The reason may be that Carved In Ashes
has been influenced by the work of bands such as Katatonia, Riverside,
Tool and Anathema. You may also spot references to Porcupine Tree and
Steven Wilson's music - harmonious yet unpredictable arrangements,
enchanting atmospheres but also intensity which grows around the time of
bridges and endings.
This intriguing composition doesn't lack contrast however. Groovy bass
lines performed by Jaakko Kuusisto along with non-intrusive, well
thought drum beats by Lauri Kuussalo stand as the song’s core structure
and plays the main role in this composition. Yet they are at times
replaced with airy lead riffs and rhythmic background chords brought by
guitarist duo, Kimmo Kokki and Tomi Issakainen. This method allows for
achieving a dynamic range in which tempo, melody and moods vary but
don't interfere with the song structure. It should be also mentioned
that keyboard player, Jani Lehtinen put a lot of magic into "Lupus
Homini". High-pitched notes sound as freezing as if played on icicles
(which were utilized in many 70's jazz tracks) but there are also cold
wavy passages within the arrangements.
"Lupus Homini" sounds almost like an instrumental track since the vocal
parts have been reduced to a necessary minimum. Juanma Draven both
speaks the lyrics and sings them. When he operates at higher notes, his
voice recalls Rush's Geddy Lee at times. On the other hand he can also
scream, although this adds a dramatic tension to the track rather than
making a powerful metal growl.
The song is atmospheric and melodic enough to make you like it after the
first listening. At the same time, it was not written with the typical
verse and chorus structure. It's an ambitious composition with plenty of
layers, perfect for listeners who prefer complexity over monotony.
(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, February 24th, 2013. Proofreading: SanDeE)
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Reviewed by Fabryka Music Magazine